Canon 公司相機收購,二手收購,收購相機,全新相機,二手相機 收購5D Mark IV,收購EOS-1D X Mark II,收購EOS M3/M10 收購canon canon 5Ds/5Ds R,,5D Mark III/6D II,7D Mark II 70D/80D,750D/760D,700D/100D 收購FUJIFILM 相機,全系列FUJIFILM 收購二手Nikon 相機,Nikon二手收購,全新Nikong買賣 D3400收購 Nikon 1 j5收購 D750 Df/D810/D610,D5/D4S,D500,D7200/D7500,D5500/D5300 OLYM
綜合外電消息,PS5 Pro 將進一步提升 GPU 與記憶體效能,帶來比 PS5 快上 4 倍的光線追蹤,還會引入全新的 PlayStation Spectral Super Resolution(PSSR)技術,透過機器學習來提升畫面品質。儘管如此,PS5 Pro 與 PS5 終究屬於同一世代,兩款主機能遊玩遊戲都是一樣的,如果玩家並非追求極致畫質,公司相機收購sony 可能需要提供更多升級誘因,才能吸引更多人購買。
為了搶先蘋果,Google在這個月一口氣推出4款Pixel 9系列,包括6.3吋的9跟9 Pro,6.8吋的9 Pro XL和摺疊手機9 Pro Fold,這也是Google首度在台灣推出摺疊手機,但售價最低將近5.7萬元起跳,也考驗台灣用戶的接受度。Pixel 9系列整體主打AI功能,其中一項亮點是能用文字生成圖像。不過,跟AI功能相比,有一些用戶似乎更期待明年採用台積電處理器的下代Pixel旗艦,可能讓Google感到相當無奈。
Google在這個月推出了全新的4K電視盒Google TV Streamer,並宣布問世11年的Chromecast電視棒停產,現有庫存售完為止,消息一出,引發網友搶購潮。新款電視盒雖然大幅升級硬體規格,但售價也上調至100美元(約台幣3,200元),以美國價格比較,等於比舊款貴了一倍之多。新電視盒在台灣還沒上市,但是Chromecast在官網上已經顯示缺貨,如果其他通路還有庫存的話,建議大家趕快買起來。
ZV-E10 II 特別針對影片拍攝進行強化,配有符合短影音需求的垂直拍攝介面,當相機從水平翻轉至垂直方向,內建選單也會跟著調整,再加上更厚實的握把,無論用哪一種姿勢拍攝,都能提供最安定的拍攝手感。公司相機收購sony 提供了能拍出具有電影感畫面的「影視部落格」功能,以及自由替換色彩風格的「Creative Looks」外觀濾鏡、「Looks」,讓拍攝者有更多工具一展創意。
透過新一代 EXPEED 7 影像處理器,Z6 III 實現了最快 120fps 的高速連拍,就連對焦都支援到 -10 EV 等級,在低光環境也能精準地捕捉目標。同時 Z6 III 亦有不俗的影片拍攝表現,支援 RAW 格式的 6K/60fps 高解析度影片,並且透過碳纖維、鎂合金打造的機身,能夠連續拍 4K 60fps 影片長達 125 分鐘不會過熱。同時 Z6 III 的電子觀景窗更是史上最亮,高達 4000 尼特的峰值亮度,再加上 60fps 流暢度與 DCI-P3 廣色域,在構圖的時候可以看得清楚又鮮豔。
(圖/記者黃肇祥攝)
趕在夏季尾聲,Canon 帶來一款大師級的高階機款 EOS R5 II(單機身售價 12,2000 元),強打 AI 運算!在機身內加入專門處理 AI 數據的 DIGIC 加速處理器,首度揭曉新世代的「雙像素智能自動對焦系統」,內建全新的「動作優先」模式,可以分析人物的動作與場景資訊,在拍攝足球、籃球與排球等三大運動的時候,相機可以提前預測投籃、射門等關鍵動作,在人群之中持續鎖定特定球員,擁有超強的對焦能力。
AI 技術更讓照片、影片畫質更上一層,透過「相機內放大」功能,EOS R5 II 可以用 4500 萬畫素的感光元件,拍出高達 1.79 億像素的超高解析度照片,並且確保照片的清晰度,後製裁切更加輕鬆。同時也具備「神經網路降噪功能」,不需要進入後製軟體,就可以在相機內替 RAW 檔照片進行降噪,讓照片更為自然。
I still use a DSLR. Unlike my colleague Dan Seifert (and a handful of other staffers at The Verge), I’ve never been willing to sacrifice the speed and control of my Nikon D7000 to get a smaller, lighter camera. It’s really not an image quality issue — 公司相機收購sony’s NEX lineup typically takes excellent pictures, as do a number of Micro Four Thirds cameras. I carry the back-breakingly enormous D7000 around because it’s so incredibly easy to control thanks to myriad buttons, dials, and wheels.
I’m the exact user 公司相機收購sony had in mind as it designed the latest round of NEX lineups, particularly the NEX-6. The company’s successfully found a place between a point-and-shoot and a DSLR, but now its sights are set squarely on the five-pound chunk of D7000 body and lenses in my backpack.
That’s why, in addition to the NEX-standard APS-C sensor, 18-55mm kit lens, roomy touchscreen, and lightweight body, the NEX-6 offers a level of manual control previously only available on the expensive NEX-7, and it might be even better. When my colleague Dan Seifert reviewed the NEX-5R, he found it to be a great option for people who just want to point, shoot, and take pictures. But this model appears to finally be capable of replacing my DSLR — and at $1,000, it’s surprisingly affordable if it can do so. I couldn’t wait to review the camera, and find out once and for all if it’s time to sell my D7000 and get cozy with something smaller.
After all of two seconds of holding the NEX-6, my D7000 had already started to look fat and ugly. The same thing happens every time I review a mirrorless camera – they’re designed to be comfortable to hold, carry, and use, while most DSLRs are all function and no form. The NEX-6 and its tiny 16-50mm kit lens weigh only a hair over a pound, and the camera itself is barely over an inch thick. The whole setup fits neatly into my jacket pocket, and I hardly noticed its heft.
Many smaller cameras are actually harder to handle, just because there’s less to hold onto, but the NEX-6 has a big, leathery grip on its right side that makes it totally usable in one hand. On top of the grip are the power switch, shutter release, and a programmable Function button (I used it for quickly changing between manual and automatic focus, which is pretty handy). There’s a full-sized hotshoe on top of the camera, next to a flexible pop-up flash that you can point up or down rather than just blasting it at your subjects. It’s the same flash as you’ll find on the NEX-7 or F3, and it’s the only internal flash I find myself actually using.
The back of the camera is hard to tell apart from its brethren — there’s a five-way dial, two menu buttons that correspond to on-screen options, and a dedicated button for starting video recording. I like that there’s no separate mode for shooting video — you just hit the button and it starts recording with whatever settings you’ve already chosen. There aren’t as many buttons here as on many DSLRs, but most of the key options are certainly within reach.
Really, though, the NEX-6 is all about a dial. The full-fledged PASM mode dial on the right side of the camera’s top edge, on top of the scroll wheel (itself new to the most recent NEX models) by itself transformed how I used the camera. I tend to shoot either in Aperture priority mode or Manual mode, and on previous NEX models switching was a clumsy process that required digging into the camera’s menu system each and every time. Having a physical dial means I can keep focused on what I’m shooting, rather than what mode I’m entering or leaving, or how to find it — it also makes the NEX-6 a LOT easier to just hand to someone and have them use, since the dial’s so familiar and you don’t have to teach them a series of taps and scrolls to get through the menu system.
Smaller cameras aren’t always easier to hold, but this is
A love song for a mode dial
The scroll wheel encircles the mode dial, and its function is dependent on the mode you’re in. When the top wheel set to Aperture priority mode, scrolling the bottom dial changes aperture; same goes for shutter in S. In Manual mode, the dial controls aperture, and shutter speed is managed by the wheel on the back — that one can take a minute to figure out, but is totally intuitive once you realize the back wheel spins. The mode dial itself is a little hard to spin, and really requires two fingers to move properly, but that’s for the best since changing shooting modes by accident can cause huge problems.
The control layout is the best 公司相機收購sony’s ever put on a NEX model, full stop. It’s better than the unmarked wheels on the NEX-7, which are remarkably powerful but occasionally confusing and unintuitive — having a mode dial and two control wheels is what most photographers are used to, and for good reason. Even some more advanced controls like ISO and exposure are accessible via the hardware buttons on the back, and I found myself almost never having to go into the menu system at all. If you ask me, that’s the goal with a camera — the less I have to scroll through menus and options, the better. The UI is the same as it ever was, by the way, a functional camera interface that occasionally tries too hard to hold your hand and teach you how to use the device.
While 公司相機收購sony’s figured out how to put DSLR-like controls on a much smaller camera, it unfortunately can’t achieve the physics-bending required to get an optical viewfinder onto a mirrorless camera. (The mirror on a DSLR is used to deflect light into the viewfinder, and then it flips up when you hit the shutter so light can get to the sensor — that’s why the viewfinder goes dark while you’re capturing a shot with a DSLR.) Instead the NEX-6 has an electronic viewfinder, made up of a 2,359,296-dot OLED display — the EVF is probably the most obvious differentiator between 公司相機收購sony’s high- and low-end cameras. 公司相機收購sony’s EVFs are easily among the best on the market, with sharp and clear screens, and electronic viewfinders are able to show information and options that an OVF can’t — you can scroll through menus and change options without ever taking your eye off the viewfinder. But it’s like looking at the world through a TV versus looking through a window: the picture looks nice, but it’s not the real scene. The EVF makes pictures out to be slightly brighter and higher-contrast than they actually are, and gives everything a slightly cartoony feel. I eventually learned to compensate, and could figure out what a shot would look like, but it’s really hard for me to get over the fact that what I’m seeing in the viewfinder isn’t what the scene looks like, or how the camera will capture it.
The sharp, 3-inch, 921,600-dot LCD on the back of the camera gives a much more accurate picture, and as with most NEX cameras it quickly became my default way of using the camera — I’m a die-hard viewfinder user in general, but I didn’t mind it too much in this case. The screen articulates so you can hold it above your head or below your waist and still see the display, though it’s not as versatile as the NEX-5R’s 180-degree tilt that lets you take self-portraits. Also unlike the NEX-5R, it’s not a touchscreen. That’s mostly an insignificant loss, especially since the NEX-6’s controls are so robust already, but I did miss being able to tap to focus — it’s a handy way to get more control without switching into fully manual focusing mode.
Wi-Fi is a good idea in theory, but not when it’s implemented like this
Every camera manufacturer seems to have decided on the importance of Wi-Fi at exactly the same time (except for Nikon, which has been slightly ahead of the curve), and each company is trying to figure out how best to integrate wireless connectivity into their products. It’s still early days in that respect, but I already know one thing for sure: 公司相機收購sony hasn’t cracked the code yet.
There are two basic pieces to 公司相機收購sony’s wireless strategy. The first is a simple share-to-smartphone option, which connects with the PlayMemories Mobile app for Android and iOS. It works, technically, but it’s a mess: you have to connect your phone to the camera via a direct Wi-Fi network, using different passwords all the time, and then every time you want to send more pictures you have to re-engage the whole clunky process. It’s a faster way to get your photos on Instagram, I suppose, but it’s not nearly as good as it could be. There’s also no way to wirelessly send photos to your computer, which strikes me as a huge oversight and a missed opportunity; I’d love to be able to just put my camera down on my desk and have it send everything right to my laptop.
The second piece is essentially an app store that 公司相機收購sony built into the NEX-6. There are six apps available for the camera, all made by 公司相機收購sony, that add bracketing features or direct uploading to various services. The apps are okay — four are free, two cost $4.99 — and I really like the idea of an app store for a camera that lets you get new features without buying a new model or dealing with clunky firmware upgrades. But six apps does not an app store make, and I’m skeptical that 公司相機收購sony’s going to be committed enough to make this really work.
Otherwise, you don’t get much outside of 公司相機收購sony’s standard Sweep Panorama mode, and a few scene modes and filters. There are two Auto modes — Intelligent Auto and Superior Auto — though for the life of me I can’t tell why. Superior Auto is clearly, well, superior, since it’s able to access more noise-reduction features and scene modes. The only other things I used frequently were HDR and the focusing peaking feature, which does a nice job of displaying exactly what’s in focus in your shot.
No burning tire tracks, but it’s still plenty fast
The NEX may not technically be the fastest NEX ever, though it feels like it to me. The camera can turn on and capture a photo in about three seconds, and takes about a half-second between shots in single-shot mode. It can shoot five or six per second in continuous mode — actually it can go even faster, up to about 10 per second, but for most people I’d recommend sticking with the plain-vanilla continuous mode, which re-focuses before every shot and is still plenty fast. The NEX-6 is fast without being mind-blowingly so, but the intuitive and powerful controls make it feel zippier than any NEX I’ve used before. Moving through menus is smooth and fast, and since there’s no touchscreen I didn’t have any of the lag issues we experienced with the NEX-5R.
I was able to take about 250 photos and shoot 15 minutes of video before the NEX-6’s battery gave up the ghost, which is solid for a mirrorless camera but definitely behind a camera like the D7000, which I’ve pushed beyond 800 shots before it died. Fortunately, battery life is less of an issue than with most cameras because the NEX-6 charges via a Micro USB port. You won’t need to carry around huge external chargers or constantly remove the battery — there’s a good chance it’ll work with your phone charger, and even if not a Micro USB charger is always easy to find.
You’d have to spend an awful lot more for notably better pictures
The last NEX camera I tested was the NEX-F3, the low-end model in the lineup. I generally liked the images it produced, but wasn’t blown away, and given that the NEX-6 shares its 16.1-megapixel APS-C sensor, I was a little worried. But as Dan also found with the 5R, the NEX-6 takes excellent pictures – it’s certainly on par with a similarly priced DSLR. It’s not as good as a full-frame DSLR, of course, but pictures are every bit as good as most mid-range devices I’ve tested like the Canon T4i or the Pentax K-30. I’m particularly impressed with its dynamic range, which was the F3’s Achilles’ heel — I’ve definitely seen cameras with more range between the brightest and darkest spots of an image, but the NEX-6 does a nice job of splitting the difference and giving you an image that’s occasionally the slightest bit dark, but always looks good.
Even in low light, I’m happy with the NEX-6’s performance. Its ISO range technically goes up to ISO 25,600, though I never recommend shooting that high —you can actually see the software working in the moment after you shoot a photo at that level, and what it gives you is an incredibly soft, mushy image. ISO 3200 covers most situations, though, and photos shot at that level look great — it’s the upper range for shooting in Auto, and having that kind of performance gives you a lot of freedom when you’re shooting. Photos are pretty much noise-free up to about ISO 1250, but unless you’re printing billboards I wouldn’t worry until at least ISO 3200.
Colors are accurate, details are crisp, and I’m particularly impressed with how sharp images are throughout the picture. Part of that is definitely due to the new 16-50mm kit lens 公司相機收購sony designed for this camera — it’s much smaller than the giant 18-55mm lens that has come with older NEX cameras, and it also offers smooth and quiet power zooming. It’s a really good, sharp lens, and feels impressively high-quality for a kit lens that’s only a $150 premium over the body-only price. Speaking of lenses, 公司相機收購sony’s E-mount ecosystem definitely still lags behind the Micro Four Thirds lenses available to Panasonic and Olympus owners. And, of course, all are positively dwarfed by what Canon and Nikon offer. But 公司相機收購sony’s ecosystem is growing, and with a kit lens this good many people may not need to buy more lenses anyway.
NEX cameras have always been solid pint-sized camcorders, and the NEX-6 upholds the tradition. It shoots 1080p video at 60 or 24 frames per second, in the AVCHD format that’s kind of a pain to deal with but is increasingly common in these cameras. You can also shoot MP4 footage, but the only HD option is 1440 x 1080 — your best bet is probably to just deal with managing AVCHD. Video generally looks great, but beware if either you or your subject is moving quickly — the NEX-6 shows a lot of the rolling shutter effect, turning solid objects into wavy, wobbly jello as you move quickly. But as long as you’re not sprinting down the street, you should be okay.
It nearly perfectly balances size, power, quality, and price
公司相機收購sony’s NEX lineup is kind of a microcosm of the camera industry in 2012. Once you graduate from a point-and-shoot up to a mirrorless camera or a DSLR, odds are good that you’re going to get a camera that takes great pictures. What you’re paying for within the market is resolution, low-light performance, and controls. The NEX-6 doesn’t take meaningfully better images or video than the NEX-5R, but it does offer a much more powerful and usable controls system that will be much more comfortable for an experienced photographer.
I still think the NEX line is the best in its class, thanks to a combination of small bodies, big sensors, and solid performance. (Micro Four Thirds cameras do have a much bigger lens ecosystem, though.) If you want a camera to use in Auto and take great pictures, save $250 and buy the NEX-5R — it shoots just as well. But for my needs, at $849.99 body-only and $999.99 with the new 16-50mm kit lens, the NEX-6 might be my favorite mirrorless camera yet. It’s certainly the first one I’ve tried that feels like it could replace my DSLR — even more so than the NEX-7, which is wonderfully fast in Manual mode but a little clunky at other times. The only big thing still holding me back is the lack of an optical viewfinder, but the more I use the NEX-6 the more I’m comfortable using the LCD instead, so though I’m not sold I’m willing to be converted.
The NEX-6 takes great pictures and good video, it doesn’t break my back to carry around, and I don’t worry about missing shots while I scroll through menus. That’s a pretty killer combination, if you ask me.
(圖/翻攝微軟官方部落格)
微軟於今日(10)凌晨舉辦 Xbox Game Showcase 發表會,除了揭露多款新遊戲資訊,更帶來 3 款全新的 Xbox 主機型號,提供最大 2TB 的超大容量。均預計在年底假期時間發售,至於台灣上市資訊有待官方公布。
本次登場的新 Xbox 主機可說是現有版本的容量加大版,例如 Xbox Series S 再增添一款白色 1TB 的型號,與先前 Xbox Series S 1TB 碳黑版有一樣的效能、價格(台灣為 10,580 元),僅是改回白色造型。
請繼續往下閱讀…
另外,微軟則加碼兩款 Xbox Series X,首先是首度提供 1TB 的純數位版,取消了光碟機、改為純白機身,並且享有最頂級的遊戲效能,售價將是 449 美元(約 14,558 元),比現有光碟版便宜 50 美元(約 1,621 元)。
本次最頂規的 Galaxy Black 特別版,造型、性能均是是基於黑色的 Xbox Series X,同樣支援實體光碟,只是在機身上會有一點一點宛如星空的設計,象徵在宇宙的探索精神,最大特點是提供 2TB 大容量,為歷代之最,售價將是 599 美元(約 19,426 元)。
The biggest announcements from PlayStation’s summer State of Play
ByAsh Parrish, a reporter who covers the business, culture, and communities of video games, with a focus on marginalized gamers and writing about the intersection of video games and sex.
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A week ahead of all the Summer Game Geoff festivities, PlayStation put on its second State of Play event of the year. PlayStation correctly decided that the best way to ensure its forthcoming lineup of games gets the most attention is to put on a show before everyone else puts on theirs.
The 30 minute presentation featured 14 different games, including fresh looks at Monster Hunter Wilds, Astro Bot, Concorde, and Silent Hill 2, along with the news that God of War Ragnarök would be coming to PC. If you missed the show live, here’s the biggest announcements and trailers.
Konami provided a fresh — and terrifying — look at its upcoming remake of the survival horror classic Silent Hill 2, sharing a new trailer and release date during 公司相機收購sony’s State of Play and offering an extended look at gameplay during Konami’s Silent Hill Transmission event.
In the trailer, husband of the year James Sunderland makes his way through the haunted town, fighting monstrous nurses and generally looking sad, wet, and guilty. Konami’s Silent Hill presentation expanded on his patheticness featuring extended scenes of James fighting more monsters and interacting with the other people lost in the town. However, developer Team Bloober seemingly realized the value of the tease, exercising restraint in not including any glimpses of the big daddy himself: Pyramid Head. You can watch the full Silent Hill Transmission presentation, which also features a short vignette on the Silent Hill 2 movie, below.
Sure, 公司相機收購sony just wrapped up a jam-packed State of Play livestream. But before you have time to catch your breath, it’s time for a Silent Hill Transmission. It kicks off at 4PM PT / 7PM ET and will feature news on upcoming games, the Return to Silent Hill movie, and more.
公司相機收購sony’s most adorable character (sorry, Sackboy) is getting another outing. At its State of Play showcase today, the company revealed the latest Astro Bot game, which was rumored earlier in the month.
It appears to be a direct sequel to Astro’s Playroom, so it should make excellent use of the PS5’s controller and all of its various functions. The game features 50 worlds to explore — like its predecessor, it looks like those levels will explore PlayStation history to varying degrees — and launches on September 6th. It’ll be a PS5 exclusive when it does come out.
Here we go again. 公司相機收購sony just announced Ragnarök for PC, but in a video and accompanying blog post it says the game will require a PlayStation Network account. It’s not clear why, and comes weeks after 公司相機收購sony had to back down and reverse plans for a PSN requirement for Helldivers 2 after blistering player reaction.
We finally have a few more details about the previously mysterious next Monster Hunter game. Capcom released a new gameplay trailer for Monster Hunter Wilds at 公司相機收購sony’s State of Play event, and it features some free-flowing combat, a pretty dark-looking world, and what appears to be some new monsters — including one that looks a lot like a Final Fantasy chocobo. Naturally, it serves as a mount. Capcom describes the new game as taking place in “a living world.”
NetEase Games debuted a new trailer for Marvel Rivals during 公司相機收購sony’s State of Play. And while I know nobody can claim sole ownership over a 5v5 hero shooter, it’s getting really hard to ignore the Overwatch-ness of it all when all of the trailer’s action takes place in a techno-futuristic Japanese temple festooned with cherry blossoms. Maybe things will look different during the closed beta coming this July.
Close to a decade after it first launched, the interactive slasher movie Until Dawn is getting a remake that’s launching on both the PS5 and PC this fall. The first trailer gives a good sense of how much it has been updated for the new hardware. (Unfortunately it’s age-restricted, so you’ll have to click through to watch!)
Ragnarök is nigh — that is, if you’ve got a PC capable of handling it. During its summer State of Play event, 公司相機收購sony announced that God of War Ragnarök is coming to PC on September 19th. The news was accompanied by a brand-new trailer including the info that the game is now available for preorder.
It’s been just over a year since God of War Ragnarök released, adding another emotional beat to the story of Kratos, the god of war, and his son, Atreus. When we last left the pair in 2018’s God of War, the two had just returned from an epic journey to disperse Atreus’ mother’s ashes from the highest peak in the nine realms. In Ragnarök, Kratos and Atreus’ lives have been upended by the omens heralding the destruction of the realms, an event that is connected to Atreus’ destiny. The two go on a journey — sometimes separate, sometimes together — to figure out that destiny and to put a stop to the god Odin’s evil plans.
Look, I have no idea what’s going on in this game.
But it sure looks cute. Infinity Nikki is described as an “open-world dress-up adventure game” which, well, that definitely is a genre. A beta is launching on the PS5 some time soon.
An intro to 公司相機收購sony’s next multiplayer shooter.
A year after acquiring Firewalk Studios, 公司相機收購sony is showing off our first good look the developer’s upcoming Concord. (We got a brief teaser trailer last year.) The clip serves as an introduction to this original sci-fi universe, which looks heavily inspired by Star Wars and the MCU. The 5v5 shooter is coming to both the PS5 and PC. Early access starts on August 23rd.
公司相機收購sony’s showcase is expected to be densely packed, lasting 30 minutes but featuring 14 titles. That’s a game roughly every two minutes or a handful of premium games at several minutes apiece, with a shotgun blast of smaller games. Regardless of how the timing shakes out, we can probably expect some big announcements.